Two monumental works by Rzewski and Mahler performed with intensity, drama and authority by Igor Levit in a concert celebrating Frederic Rzewski's 80th birthday.
Evgeny Kissin gave a performance of immense power, energy and musical intellect in Beethoven's monumental Hammerklavier and a selection of Rachmaninov Preludes.
In the year of the centenary of Claude Debussy's death, pianist Denis Kozhukhin gave a heady and colourful performance of music by Debussy and George Gerswhin, a composer deeply influenced by his French counterpart.
An intriguing concert performed on three pianos from different eras which revealed how composers responded to the piano technology available to them at the time.
Cedric Tiberghien brought Prokofiev's surreal Visions Fugitives and Mussorgsky's monumental Pictures at an Exhibition to life in a concert rich in musical colour, expression and vivid imagination.
Russian pianist Pavel Kolesnikov gave a refined and intimate performance of works by Fryderyk Chopin in the penultimate Chamber Prom of the 2017 season.
A novel venue provided the unusual setting for an engaging and impressive performance by the Multi-Story Orchestr and Multi-Story Youth Choir of music by JS Bach, Kate Whitley and John Adams.
The first live performance of Philip Glass' Passages was a spellbinding fusion of modernity and tradition, an exquisite meeting of minds, music styles and instrumentation.
The passionate darkness of Brahms' First Piano Concerto is contrasted with David Sawer's The Greatest Happiness Principle and Haydn's elegant and sophisticated Symphony no. 99.
Igor Levit, praised for his distinctive and sometimes unconventional approach to Beethoven's 32 piano sonatas, brought his cycle to a close with a concert of profound philosophy and bold contrasts.
For nearly three weeks in August, renowned international performers and rising stars take to the stage to play the music of Bach and Chopin, and much, much more in this the thirteenth edition of the Chopin and his Europe International Festival, presented by the Fryderyk Chopin Institute in Warsaw.
American pianist Jonathan Biss explored the notion of late style in a programme of works by Schumann, Kurtág, Chopin and Brahms which revealed a common intensity of expression regardless of the composer's age.
An unusual pairing of works for two pianos by Brahms and Messiaen created a concert of unexpected contrasts, rich textures and exceptionally virtuosity.
Russian pianist Anna Tsybuleva, winner of the 2015 Leeds International Piano Competition, made her Wigmore Hall debut in a programme of fantasy-like works spanning 300 years of music history.
Pianist, composer and polymath Stephen Hough joined The Prince Consort for an evening of intriguing and startling gems, and a world première of Hough’s own witty, intricate, intimate and beautifully arresting art songs.
A remarkable evening of exceptionally fine pianism and inventive programming, featuring seven of the UK's leading pianists in rich and varied repertoire.
An insightful and engaging talk by Alfred Brendel on Liszt's B minor Sonata was followed by an intelligent and colourful performance by pianist Dénes Varjon.
