Instrument: Dancer

In a first rate performance and just as balletomanes say goodbye to Harrison Ball, we say hello to the young talent, Domenika Afanasenkov. The cycle continues.

Powerful and thoroughly absorbing living art. 

Ek’s vision of the romantic tragedy is seen through a distorted lens, sometimes fascinating, sometimes bemusing.

Martha Graham's choreography, often inspired by Greek mythology, still has the power to shock.

There’s much to love in Helgi Tomasson’s production of Romeo & Juliet, starting with Prokofiev’s sumptuous score.

NDT1 returns to London with an eclectic and absorbing programme of old and new. 

Recent retirements within NYCB have resulted in uneven performances, but there is still hope for future spring programs.